![]() There is a limited edition of 260 copies per painting. Every Relievo is numbered and approved by a museum curator. The "super-accurate" reproduction even extends to the frame and the back of the painting. It combines a 3D scan of the painting with a high-resolution print. Such is the complexity of the technology, known as Reliefography, that it has taken more than seven years to develop and only three a day can be made. The replicas, called Relievos, are being created by the museum in partnership with Fujifilm, with which it has had an exclusive deal for three years. For museums, the financial situation is such that we all need to think about new products, new income streams, new business ideas to secure our finances." Rüger said: "It is really fascinating to start an ambitious and commercial product of this kind. The revenue will go towards planned renovations, as well as the preservation of a collection of 200 paintings, drawings and letters. Other museums are taking a close interest in the commercial potential of 3D, given that the Van Gogh museum expects to raise substantial funds from sales. Further ventures into Van Gogh's back catalogue are planned. The 3D scanning technique has so far reproduced Almond Blossom (1890), Sunflowers (1889), The Harvest (1888), Wheatfield under Thunderclouds (1890) and Boulevard de Clichy (1887). But the museum is hoping to increase access to pictures which, if they were sold, would go for tens of millions of pounds to Russian oligarchs or American billionaires. Each reproduction is priced £22,000 – somewhat more than the cost of a postcard or poster.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |